17) Elvira: Cassandra Peterson had a perfectly legitimate career as "Elvira" the devilishly seductive vampire. Had she formed a Goth Metal group, it might have made sense, but in 1988 she opted for "The Elvira Rap," a charmingly inept attempt at doing what she does poorly. But she didn't stop there. "The Monsta' Rap" followed. Fool us once, shame on us. Twice, it's your problem, sista!
16) Insane Clown Posse: Face paint, bad rap-metal, once out of rhymes begin spraying their audiences with soda, Insane Clown Posse have all the hallmarks of a bad hype and the terrible, terrible records to back it up. Violent J and Shaggy 2 Dope don't do much of anything well. Which explains why they hide their true identities. They make Kiss, their obvious influence, seem like the apex of modern culture in comparison. On the bright side, perhaps it's ICP's lame attempts at rap that have stopped Kiss and their accountants from considering a similar move.
15) Rappin' Duke: Any rapper who boasts of working the mic at Ponderosa isn't likely to be taken seriously. His other claim in his self-titled rap ‘Rappin' Duke" that Kurtis Blow and Run DMC wouldn't have heard of rap were it not for the "Rappin' Duke" is as ludicrous as his boast that no rapper would exist after him. The Rappin' Duke never had a career beyond this single (there is a second single believe it or not called "The Duke Is Back" on famed Tommy Boy Records, but he apparently was not, in fact, "back"). That's what you get when you choose John Wayne as your point of hip-hop reference. Sorry, partner.
14) Master P: It isn't until you get to the chorus of Master P's Grammy-winning hit "Make ‘Em Say Ugh" that you realize just how bad this is going to be. P doesn't show much promise on the verses, but the guttural, food poisoning groan of nausea that provides the tune with its "hook," is among the genre's dumbest and least appealing. He has made a career out of moaning "Ugh." Of course, this success has been off the chart, ranking him in Forbes as one of the most successful entertainers and entrepreneurs. Thankfully, he now serves as a Youth Ambassador for the NAACP, a move that should lead to fewer musical endeavors. Only God Can Judge Me may be the name of one of his albums, but I prefer to let the people decide this one.
13) Tony Yayo: Being the weakest link in any ensemble brings its own cross to bear. Why do you think Professor Griff was always the most annoyed member of Public Enemy, after all? As a member of G-Unit, Yayo was clearly the caboose of the group. If he really calls his latest album I Am 50's Tax Write-Off, which wouldn't be a bad idea, it would save the IRS time when the audit comes due and blatantly remind everyone he was in a group with 50 Cent. A better idea than Thoughts Of A Predicate Felon. The guy goes to prison on a weapons possession charge, but decides it's better to hype being an Outlaw Of Grammar?
12) Northern State: While some people assume that anyone who can speak can rap, it's not quite that easy. Just as a singer must master pitch and tone, a rapper needs to sound natural. Nothing about this female Long Island trio ever sounds natural. They don't try to pretend they're anything they're not. But being well-educated, literate nerds from Long Island who name-check Al Gore doesn't for convincing rappers make. Grabbing Ad-Rock from the Beastie Boys to produce their album doesn't lend "credibility" either. It looks desperate. And having your tracks featured on Grey's Anatomy is just weird.
11) Shaquille O'Neal: Now I love watching Shaq stand over the basketball net and push the ball in with his hand. Being 12 feet tall has its advantages. Rapping isn't one of them. It doesn't make you sound better. If a midget like the Geto Boys' Bushwick Bill can get it so right, how is it that Shaq could get it so wrong? Well, as Bushwick would tell you "Size Ain't (expletive deleted)." Sure he can wax personal "Biological Didn't Bother" but bad puns like "Can't Stop the Reign" and "Blaq Supaman" (that's not even a pun, that's goofy spelling) just don't quite match up to what he's capable of on the basketball courts.
10) Marky Mark And The Funky Bunch: I believed them when they rapped "I Need Money." That sounded like the truth. But I draw the line when they title an album Music For The People. Why? What did the people ever do to you, Marky Mark? We certainly didn't ask for this music and if we did we should have been more specific. We wanted it to be better, that's for sure. But Marky Mark saw it coming. He knew he had a better career in underwear ads (calling David Beckham!) and in movies. Which is why we don't get to enjoy any new music from him anymore. Somehow, I think we'll make it.
9) K-Fed: When being married to Britney Spears is your greatest artistic accomplishment, you join a long line of Yoko Onos waiting for their eventual artistic validation. Someday, an ironic hip-hop group will no doubt celebrate Playing With Fire, Kevin Earl Federline's debut album. But for now, we're content to pretend it never happened. We'll let him keep custody of his children, but he must promise us to never make another album for as long as he shall live.
8) Will Smith: The people who vote in the Grammy Awards might very well be drunk when they do so. Or maybe they don't listen to the records they vote for. Now rap music wasn't really enjoyed by the "establishment" back in the 1980s, so they were primarily guessing at what the "kids" were listening to. And "Parents Just Don't Understand" was obviously a pretty "wacky" "rebellious" little number with all that clever rhyming! And Will Smith was certainly still "safe" enough to not inspire too much controversy. Which is exactly why he's a lousy rapper. And why Smith got out of there and into acting before everyone caught on.
7) Mr. T: Yes, I pity the fool who thought Mr. T had a career singing, rapping and wearing extremely short camouflage shorts and stretched to the knee tube socks while telling you to treat your mother right. From his instructional video Be Somebody Or Be Somebody's Fool. Why take advice from a guy who seems to have opted for the latter?
6) Fred Durst (Limp Bizkit): You have to question anyone who participates in a group that applauds its own erectile dysfunction. "Rap-metal" sounds like a bad idea, even before you hear how poorly it's executed. Ice-T couldn't pull it off with Body Count and these clowns can't even get the metal part right. So you can only imagine what happens when a rhythmically challenged singer attempts to show his "street cred" by enlisting the help of Method Man, who should've known better than to associate with a group whose stage props have included playing in a toilet. Some hints are more than hints.
5) Puff Daddy: P. Diddy, Puff Daddy, no matter what name you give him, his rapping doesn't improve. Sure, he's been a successful entrepreneur. Apparently, he can sell anything. He sold the idea of talking over a perfectly legitimate hit single by the Police as one of his own creations and winning a Grammy for his troubles. Again, are these people drunk when they vote?
4) Dee Dee King: As the bass player for the Ramones, Dee Dee Ramone was very good at counting off "1-2-3-4" and then playing his bass notes very fast. He didn't sing particularly well, but as a punk rocker he didn't need to. He wrote a handful of great songs. But then he decided he wanted more. He wanted to escape the artistic box that was the Ramones and establish his own identity--as a rapper! We only acknowledge what Dee Dee himself acknowledged. He truly was the "baddest rapper in Whitestone, Queens." R.I.P.
3) Brian Austin Green: Brian Austin Green from the hit TV program Beverly Hills 90210 released a rap album in 1996 with tracks such as "That's Right" featuring the Black Eyed Peas, "Style Iz It," "Didn't Have A Clue" and "Beauty and Da Beats." I believe these titles reflect his passion. And if "sounds great while sleeping in a shopping mall" can be construed as a compliment, then I'm among his biggest fans and--though I hadn't realized it until now--have been anxiously awaiting his "comeback" for 12 years now!
2) MC Hammer: "U Can't Touch This" was first described to me as someone repeatedly yelling "Stop, It's Hammer Time!" over Rick James' "Superfreak." Sounded like a bad idea. Sounded like a bad joke. Then I heard it. MC Hammer went on to sell millions of albums. Some people even took to dressing like him. Yet somehow he never managed to turn this into another marketing line, not even for glasses. That's how he ended up on reality TV, I guess.
1) Vanilla Ice:Whether Suge Knight ever actually dangled Robert Van Winkle, Mr. Vanilla Ice, from a balcony or not, the point intended is an important one: STOP MAKING RAP RECORDS. "Ice Ice Baby" isn't so much a bad song as simply an insult. Instead of making a low-rent porn video, Ice makes Cool As Ice, a film so bad it almost makes you wish he'd stuck to making records
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17) Elvira: Cassandra Peterson had a perfectly legitimate career as "Elvira" the devilishly seductive vampire. Had she formed a Goth Metal group, it might have made sense, but in 1988 she opted for "The Elvira Rap," a charmingly inept attempt at doing what she does poorly. But she didn't stop there. "The Monsta' Rap" followed. Fool us once, shame on us. Twice, it's your problem, sista!
16) Insane Clown Posse: Face paint, bad rap-metal, once out of rhymes begin spraying their audiences with soda, Insane Clown Posse have all the hallmarks of a bad hype and the terrible, terrible records to back it up. Violent J and Shaggy 2 Dope don't do much of anything well. Which explains why they hide their true identities. They make Kiss, their obvious influence, seem like the apex of modern culture in comparison. On the bright side, perhaps it's ICP's lame attempts at rap that have stopped Kiss and their accountants from considering a similar move.
15) Rappin' Duke: Any rapper who boasts of working the mic at Ponderosa isn't likely to be taken seriously. His other claim in his self-titled rap ‘Rappin' Duke" that Kurtis Blow and Run DMC wouldn't have heard of rap were it not for the "Rappin' Duke" is as ludicrous as his boast that no rapper would exist after him. The Rappin' Duke never had a career beyond this single (there is a second single believe it or not called "The Duke Is Back" on famed Tommy Boy Records, but he apparently was not, in fact, "back"). That's what you get when you choose John Wayne as your point of hip-hop reference. Sorry, partner.
14) Master P: It isn't until you get to the chorus of Master P's Grammy-winning hit "Make ‘Em Say Ugh" that you realize just how bad this is going to be. P doesn't show much promise on the verses, but the guttural, food poisoning groan of nausea that provides the tune with its "hook," is among the genre's dumbest and least appealing. He has made a career out of moaning "Ugh." Of course, this success has been off the chart, ranking him in Forbes as one of the most successful entertainers and entrepreneurs. Thankfully, he now serves as a Youth Ambassador for the NAACP, a move that should lead to fewer musical endeavors. Only God Can Judge Me may be the name of one of his albums, but I prefer to let the people decide this one.
13) Tony Yayo: Being the weakest link in any ensemble brings its own cross to bear. Why do you think Professor Griff was always the most annoyed member of Public Enemy, after all? As a member of G-Unit, Yayo was clearly the caboose of the group. If he really calls his latest album I Am 50's Tax Write-Off, which wouldn't be a bad idea, it would save the IRS time when the audit comes due and blatantly remind everyone he was in a group with 50 Cent. A better idea than Thoughts Of A Predicate Felon. The guy goes to prison on a weapons possession charge, but decides it's better to hype being an Outlaw Of Grammar?
12) Northern State: While some people assume that anyone who can speak can rap, it's not quite that easy. Just as a singer must master pitch and tone, a rapper needs to sound natural. Nothing about this female Long Island trio ever sounds natural. They don't try to pretend they're anything they're not. But being well-educated, literate nerds from Long Island who name-check Al Gore doesn't for convincing rappers make. Grabbing Ad-Rock from the Beastie Boys to produce their album doesn't lend "credibility" either. It looks desperate. And having your tracks featured on Grey's Anatomy is just weird.
11) Shaquille O'Neal: Now I love watching Shaq stand over the basketball net and push the ball in with his hand. Being 12 feet tall has its advantages. Rapping isn't one of them. It doesn't make you sound better. If a midget like the Geto Boys' Bushwick Bill can get it so right, how is it that Shaq could get it so wrong? Well, as Bushwick would tell you "Size Ain't (expletive deleted)." Sure he can wax personal "Biological Didn't Bother" but bad puns like "Can't Stop the Reign" and "Blaq Supaman" (that's not even a pun, that's goofy spelling) just don't quite match up to what he's capable of on the basketball courts.
10) Marky Mark And The Funky Bunch: I believed them when they rapped "I Need Money." That sounded like the truth. But I draw the line when they title an album Music For The People. Why? What did the people ever do to you, Marky Mark? We certainly didn't ask for this music and if we did we should have been more specific. We wanted it to be better, that's for sure. But Marky Mark saw it coming. He knew he had a better career in underwear ads (calling David Beckham!) and in movies. Which is why we don't get to enjoy any new music from him anymore. Somehow, I think we'll make it.
9) K-Fed: When being married to Britney Spears is your greatest artistic accomplishment, you join a long line of Yoko Onos waiting for their eventual artistic validation. Someday, an ironic hip-hop group will no doubt celebrate Playing With Fire, Kevin Earl Federline's debut album. But for now, we're content to pretend it never happened. We'll let him keep custody of his children, but he must promise us to never make another album for as long as he shall live.
8) Will Smith: The people who vote in the Grammy Awards might very well be drunk when they do so. Or maybe they don't listen to the records they vote for. Now rap music wasn't really enjoyed by the "establishment" back in the 1980s, so they were primarily guessing at what the "kids" were listening to. And "Parents Just Don't Understand" was obviously a pretty "wacky" "rebellious" little number with all that clever rhyming! And Will Smith was certainly still "safe" enough to not inspire too much controversy. Which is exactly why he's a lousy rapper. And why Smith got out of there and into acting before everyone caught on.
7) Mr. T: Yes, I pity the fool who thought Mr. T had a career singing, rapping and wearing extremely short camouflage shorts and stretched to the knee tube socks while telling you to treat your mother right. From his instructional video Be Somebody Or Be Somebody's Fool. Why take advice from a guy who seems to have opted for the latter?
6) Fred Durst (Limp Bizkit): You have to question anyone who participates in a group that applauds its own erectile dysfunction. "Rap-metal" sounds like a bad idea, even before you hear how poorly it's executed. Ice-T couldn't pull it off with Body Count and these clowns can't even get the metal part right. So you can only imagine what happens when a rhythmically challenged singer attempts to show his "street cred" by enlisting the help of Method Man, who should've known better than to associate with a group whose stage props have included playing in a toilet. Some hints are more than hints.
5) Puff Daddy: P. Diddy, Puff Daddy, no matter what name you give him, his rapping doesn't improve. Sure, he's been a successful entrepreneur. Apparently, he can sell anything. He sold the idea of talking over a perfectly legitimate hit single by the Police as one of his own creations and winning a Grammy for his troubles. Again, are these people drunk when they vote?
4) Dee Dee King: As the bass player for the Ramones, Dee Dee Ramone was very good at counting off "1-2-3-4" and then playing his bass notes very fast. He didn't sing particularly well, but as a punk rocker he didn't need to. He wrote a handful of great songs. But then he decided he wanted more. He wanted to escape the artistic box that was the Ramones and establish his own identity--as a rapper! We only acknowledge what Dee Dee himself acknowledged. He truly was the "baddest rapper in Whitestone, Queens." R.I.P.
3) Brian Austin Green: Brian Austin Green from the hit TV program Beverly Hills 90210 released a rap album in 1996 with tracks such as "That's Right" featuring the Black Eyed Peas, "Style Iz It," "Didn't Have A Clue" and "Beauty and Da Beats." I believe these titles reflect his passion. And if "sounds great while sleeping in a shopping mall" can be construed as a compliment, then I'm among his biggest fans and--though I hadn't realized it until now--have been anxiously awaiting his "comeback" for 12 years now!
2) MC Hammer: "U Can't Touch This" was first described to me as someone repeatedly yelling "Stop, It's Hammer Time!" over Rick James' "Superfreak." Sounded like a bad idea. Sounded like a bad joke. Then I heard it. MC Hammer went on to sell millions of albums. Some people even took to dressing like him. Yet somehow he never managed to turn this into another marketing line, not even for glasses. That's how he ended up on reality TV, I guess.
[B]1)[/B] Vanilla Ice:Whether Suge Knight ever actually dangled Robert Van Winkle, Mr. Vanilla Ice, from a balcony or not, the point intended is an important one: STOP MAKING RAP RECORDS. "Ice Ice Baby" isn't so much a bad song as simply an insult. Instead of making a low-rent porn video, Ice makes Cool As Ice, a film so bad it almost makes you wish he'd stuck to making records
details:
[URL]http://new.music.yahoo.com/blogs/listoftheday/2977/the-25-worst-rappers-of-all-time[/URL]
